Everything about The Museum Of Modern Art totally explained
The
Museum of Modern Art (MoMA) is an
art museum located in
Midtown Manhattan in
New York City,
USA, on 53rd Street, between Fifth and Sixth Avenues. It has been singularly important in developing and collecting modernist art, and is often identified as the most influential museum of modern art in the world. The museum's collection offers an unparalleled overview of modern and contemporary art, including works of
architecture and
design,
drawings,
painting,
sculpture,
photography,
prints,
illustrated books,
film, and
electronic media.
MoMA's library and archives hold over 300,000 books, artist books, and periodicals, as well as individual files on more than 70,000 artists. The archives contain primary source material related to the history of modern and
contemporary art.
History
The idea for the Museum of Modern Art was developed in 1928 primarily by
Abby Aldrich Rockefeller(wife of
John D. Rockefeller Jr.) and two of her friends,
Lillie P. Bliss and
Mrs. Cornelius J. Sullivan. They became known variously as
"the Ladies",
"the daring ladies" and
"the adamantine ladies". They rented modest quarters for the new museum and it opened to the public on November 7, 1929, nine days after the
Wall Street Crash. Abby had invited
A. Conger Goodyear, the former president of the board of trustees of the Albright Art Gallery in Buffalo, New York, to become president of the new museum. Abby became treasurer. At the time, it was America's premier museum devoted exclusively to modern art, and the first of its kind in Manhattan to exhibit European modernism.
Goodyear enlisted
Paul J. Sachs and
Frank Crowninshield to join him as founding trustees. Sachs, the associate director and curator of prints and drawings at the
Fogg Art Museum at
Harvard University, was referred to in those days as a collector of curators. Goodyear asked him to recommend a director and Sachs suggested
Alfred H. Barr Jr., a promising young protege. Under Barr's guidance, the museum's holdings quickly expanded from an initial gift of eight prints and one drawing. Its first successful loan exhibition was in November 1929, displaying paintings by
Van Gogh,
Gauguin,
Cezanne, and
Seurat.
First housed in six rooms of galleries and offices on the twelfth floor of Manhattan's Heckscher Building, on the corner of Fifth Avenue and 57th Street, the museum moved into three more temporary locations within the next ten years. Abby's husband was adamantly opposed to the museum (as well as to modern art itself) and refused to release funds for the venture, which had to be obtained from other sources and resulted in the frequent shifts of location. Nevertheless, he eventually donated the land for the current site of the Museum, plus other gifts over time, and thus became in effect one of its greatest benefactors.
During that time it initiated many more exhibitions of noted artists, such as the lone
Vincent van Gogh exhibition on November 4, 1935. Containing an unprecedented sixty-six oils and fifty drawings from the
Netherlands, and poignant excerpts from the artist's letters, it was a major public success and became "a precursor to the hold van Gogh has to this day on the contemporary imagination".
The museum also gained international prominence with the hugely successful and now famous
Picasso retrospective of 1939-40, held in conjunction with the
Art Institute of Chicago. In its range of presented works, it represented a significant reinterpretation of Picasso for future art scholars and historians. This was wholly masterminded by Barr, a Picasso enthusiast, and the exhibition lionized Picasso as the greatest artist of the time, setting the model for all the museum's retrospectives that were to follow.
When Abby Rockefeller's son
Nelson was selected by the board of trustees to become its flamboyant president in 1939, at the age of thirty, he became the prime instigator and funder of its publicity, acquisitions and subsequent expansion into new headquarters on 53rd Street. His brother,
David Rockefeller, also joined the Museum's board of trustees, in 1948, and took over the presidency when Nelson took up position as Governor of New York in 1958.
David subsequently employed the noted architect
Philip Johnson to redesign the Museum garden and name it in honor of his mother, the
Abby Aldrich Rockefeller Sculpture Garden. He and the
Rockefeller family in general have retained a close association with the Museum throughout its history, with the
Rockefeller Brothers Fund funding the institution since 1947. Both
David Rockefeller, Jr. and
Sharon Percy Rockefeller (wife of Senator
Jay Rockefeller) currently sit on the board of trustees.
In 1937, MoMA had shifted to offices and basement galleries in the
Time & Life Building in
Rockefeller Center. Its permanent and current home, now renovated, designed in the
International Style by the
modernist architects Philip Goodwin and
Edward Durell Stone, opened to the public on May 10, 1939, attended by an illustrious company of 6,000 people, and with an opening address via radio from the White House by President
Franklin D. Roosevelt.
Artworks
Considered by many to have the best collection of modern Western masterpieces in the world, MoMA's holdings include more than 150,000 individual pieces in addition to approximately 22,000 films and 4 million film stills. The collection houses such important and familiar works as the following:
It also holds works by a wide range of influential
American artists including
Cindy Sherman,
Jean-Michel Basquiat,
Jasper Johns,
Edward Hopper,
Chuck Close,
Georgia O'Keefe, and
Ralph Bakshi.
MoMA developed a world-renowned
art photography collection, first under
Edward Steichen and then
John Szarkowski, as well as an important film collection under the
Museum of Modern Art Department of Film and Video. The film collection owns prints of many familiar feature-length movies, including
Citizen Kane and
Vertigo, but the department's holdings also contains many less-traditional pieces, including
Andy Warhol's eight-hour
Empire and
Chris Cunningham's music video for
Björk's
All Is Full of Love. MoMA also has an important design collection, which includes works from such legendary designers as
Paul László, the
Eameses,
Isamu Noguchi, and
George Nelson. The design collection also contains many industrial and manufactured pieces, ranging from a self-aligning
ball bearing to an entire
Bell 47D1 helicopter.
Exhibition houses
At various points in its history, MoMA has sponsored and hosted temporary exhibition houses, which have reflected seminal ideas in architectural history.
1949: exhibition house by Marcel Breuer
1950: exhibition house by Gregory Ain
1955: Japanese exhibition house
2008: Prefabricated houses planned by:
- Kieran Timberlake Architects
- Lawrence Sass
- Jeremy Edmiston and Douglas Gauthier
- Leo Kaufmann Architects
- Richard Horden
Renovation
MoMA's midtown location underwent extensive renovations in the 2000s, closing on May 21, 2002 and reopening to the public in a building redesigned by the Japanese architect Yoshio Taniguchi, on November 20, 2004. From June 29, 2002 until September 27, 2004, a portion of its collection was on display in what was dubbed MoMA QNS, a former Swingline staple factory in the Long Island City section of Queens.
The renovation project nearly doubled the space for MoMA's exhibitions and programs and features 630,000 square feet of new and redesigned space. The Peggy and David Rockefeller Building on the western portion of the site houses the main exhibition galleries, and The Lewis B. and Dorothy Cullman Education and Research Building on the eastern portion provides over five times more space for classrooms, auditoriums, teacher training workshops, and the Museum's expanded Library and Archives. These two buildings frame the enlarged Abby Aldrich Rockefeller Sculpture Garden, home to two works by Richard Serra.
MoMA's reopening brought controversy as its admission cost increased from US$12 to US$20, making it one of the most expensive museums in the city; however it has free entry on Fridays after 4pm, thanks to sponsorship from Target Stores. The architecture of the renovation is controversial. At its opening, some critics thought that Taniguchi's design was a fine example of contemporary architecture, while many others were extremely displeased with certain aspects of the design, such as the flow of the space.
MoMA has seen its average number of visitors rise to 2.5 million from about 1.5 million a year before its new granite and glass renovation. The museum's director, Glenn D. Lowry, expects average visitor numbers eventually to settle in at around 2.1 million.
Officers and Board of Trustees
Honorary Chairman - David Rockefeller
Honorary Chairman - Ronald S. Lauder
Chairman Emeritus - Robert B. Menschel
President Emerita - Agnes Gund
President Emeritus - Donald B. Marron
Chairman - Jerry I. Speyer
President - Marie-Josée Drouin (wife of Henry Kravis)
Vice Chairmen:
Sid R. Bass
Leon D. Black
Kathleen Fuld
Mimi Haas
Director - Glenn D. Lowry
Treasurer - Richard E. Salomon
Assistant Treasurer - James Gara
Secretary - Patty Lipshultz
Notable Trustees:
Vartan Gregorian - Current president of the Carnegie Corporation, previously on the board of the Bill and Melinda Gates Foundation
Ronald S. Lauder
Michael Ovitz
Richard D. Parsons
David Rockefeller, Jr.
Sharon Percy Rockefeller - (Wife of Senator John D. Rockefeller, IV)
Wallis Annenberg
Gary Winnick
Anna Marie Shapiro
Patricia Phelps de Cisneros
Life Trustees
Celeste Bartos
Thomas S. Carroll
Douglas S. Cramer
Gianluigi Gabetti
Werner H. Kramarsky
June Noble Larkin
Robert B. Menschel
Peter G. Peterson
Gifford Phillips
David Rockefeller
Joanne M. Stern
Mrs. Donald B. Straus
Jeanne C. Thayer
Joan Tisch
Honorary Trustees:
Mrs. Jan Cowles
Lewis B. Cullman
H.R.H. Duke Franz of Bavaria
Maurice R. Greenberg (Director Emeritus)
Wynton Marsalis
Richard E. Oldenburg
Mrs. Milton Petrie
Lord Rogers of Riverside
Ileana Sonnabend
Emily Spiegel
Yoshio Taniguchi
David Teiger
Eugene V. ThawFurther Information
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